05th Mar2012

Various ‘Sounds from the soul underground’ (Freestyle) 4/5

by ukvibe

For some time now Freestyle records have been championing the new sounds of the dancefloor in myriad styles that range from Afro-beat to Latin, from jazz to soul, and from dub to funk so a compilation of these underground beats is very much the order of the day. Expertly compiled by Greg Boraman with detailed inner sleeve notes on the musicians concerned, this is a well balanced anthology of the label that showcases the recent and includes forthcoming sounds too. An immediate winner is the jazz dance piano vamps of Jessica Lauren on ‘Mr. G’, a keyboardist who first came to prominence during the 1990s on a well received Soul Jazz album, and then went off to do various sidewoman duties which included a stint with singer Barb Jungr among others. The new piece is merely a foretaste of her new album which will be released on Freestyle later in the year and there is a definite hint of Horace Silver in the use of Latin keyboard vamps. On another great tune, the neo-jazz dance number ‘Colours’ by Frootful, the enduring music of Johnny Lytle is conjured up with plentiful vibes over a heavy jazz beat. For an interesting contrast, northern soul flavours permeate the excellent vocal song ‘Hey girl’ by Jo Stance and one looks forward to hearing more of her. When disco went pear-shaped at the end of the 1970s, ‘boogie’ took over on the dancefloor during the early 1980s and ‘Something gotta give’ by Nick Van Gelder harks back to that era with vocals from Mazen. Going back further in time, jazz-funk ruled the roost during much of the mid-late 1970s and the Delicious All Stars bring this era back to life on the fine instrumental ‘Poker night theme’ while in reggae circles dub reached its zenith. However, even the likes of King Tubby had not thought of fusing roots dub with Ethiopian jazz and under the aegis of Dubulah, aka Nick Page, Dub Colossus have paved the way with a pioneering musical métissage that works and ‘Diaspora square’ is a fine illustration of this. Elsewhere the retro Afro-beat of the Riya Astrobeat Arkestra and the Afro-funk take on blaxploitation movie soundtracks from the Mighty Showstoppers impress and there is Latin funk from Ray Camacho and the Tear Drops on the pulsating ‘Movin’ on’. For connoisseurs of the harder Latin groove, look no further than some storming 1970s style descarga from Ray Lugo and the Boogaloo Destroyers on ‘Sol el ray’. All in all a terrific overview of a music scene that does not receive its full due from the mainstream music media. Tim Stenhouse

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