Mancunian modal maestro Nat Birchall returns with his heaviest set of grooves thus far and a distinctive individual sound underpins this album. While some of the key members of his band are retained, most notably pianist Adam Fairhill and second drummer Andy Hay, there is a new atmosphere to this recording which makes it totally refreshing. Vibist Corey Mwaamba was an inspired choice and excels on ‘Speak to us of love’, the title taken from a printed quote by Eastern philosopher Khalil Gibran. The homage to Lee Perry on ‘The Black Ark’ has definite shades of Joe Henderson’s seminal Blue Note album ‘Mode for Joe’, with an especially enthralling drum crescendo from Fairhill. Multi-reedist Birchall has at times been compared to the spiritual sounds of Pharoah Sanders, but on this particular recording, it is John Coltrane’s superlative album ‘Crescent’ that appears to have been a major inspiration, subconsciously or otherwise. Indeed Birchall is at his most Coltranesque on the freer-flowing ‘Divine harmony’ where, with the presence of vibes, there are echoes of Jackie McLean and ‘Destination Out’. In general, the all original compositions this time around are a good deal stronger and more memorable with a real treat in store on ‘Dream of Eden’ with its repeated passages and a lengthy faux intro that never really stops. This writer’s own favourite piece is the incredible reposing beauty of ‘Speak to us all of love’. Unquestionably his finest album to date, this may just be the outing that marks Nat Birchall out as one of Europe’s finest saxophonists.